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Yves Klein  1960 “Le Saut dans le Vide” or “Leap into the Void”


Yves Klein (1928 –1962 died age 34 after suffering 3 heart attacks) was a French artist considered an important figure in post-war European art. He is the leading member of the French artistic movement of Nouveau réalisme founded in 1960 by the art critic Pierre Restany. Klein was a pioneer in the development of Performance art, and is seen as an inspiration to and as a forerunner of Minimal art, as well as Pop art.

Le Saut dans le Vide (Leap into the Void); Photomontage by Harry Shunk of a performance by Yves Klein at Rue Gentil-Bernard, Fontenay-aux-Roses, October 1960.Klein is also well known for a photomontage, Saut dans le vide (Leap into the Void) [3], originally published in the artist’s book Dimanche, which apparently shows him jumping off a wall, arms outstretched, towards the pavement. Klein used the photograph as evidence of his ability to undertake unaided lunar travel. In fact, “Saut dans le vide”, published as part of a broadside on the part of Klein (the “artist of space”) denouncing NASA’s own lunar expeditions as hubris and folly, was a photomontage in which the large tarpaulin Klein leaped onto was removed from the final image.

Yves Klein 1960 “Le Saut dans le Vide” or “Leap into the Void”


Yves Klein (1928 –1962 died age 34 after suffering 3 heart attacks) was a French artist considered an important figure in post-war European art. He is the leading member of the French artistic movement of Nouveau réalisme founded in 1960 by the art critic Pierre Restany. Klein was a pioneer in the development of Performance art, and is seen as an inspiration to and as a forerunner of Minimal art, as well as Pop art.

Le Saut dans le Vide (Leap into the Void); Photomontage by Harry Shunk of a performance by Yves Klein at Rue Gentil-Bernard, Fontenay-aux-Roses, October 1960.Klein is also well known for a photomontage, Saut dans le vide (Leap into the Void) [3], originally published in the artist’s book Dimanche, which apparently shows him jumping off a wall, arms outstretched, towards the pavement. Klein used the photograph as evidence of his ability to undertake unaided lunar travel. In fact, “Saut dans le vide”, published as part of a broadside on the part of Klein (the “artist of space”) denouncing NASA’s own lunar expeditions as hubris and folly, was a photomontage in which the large tarpaulin Klein leaped onto was removed from the final image.

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